Punk

CRASS
Originally handed out at CRASS gigs thirty odd years ago this angry tirade seems painfully relevant today.

Ruud Noys
This pamphlet lays out an evaluative approach through which the relationships between anarchism and music, and culture more widely, can be explored.

Edited by Gregory Bull & Mike Dines
An eclectic collection of academic articles, personal recollections, short stories, artwork, poetry and more. An anthology of work about Punk.

Nick Blinko
A short story zine by Nick Blinko of Rudimentary Peni.

Dickhead Bidge
This pamphlet discusses anarchism in early punk 1976-1980.

Danbert Nobacon and Kira Wood Cramer & The Axis Of DIssent Juxtaposing full blown majestic pop-rock-punk with interludes of spoken word musical theatre, like a Brechtian beggars’ opera, the albums weave a trio of narrative threads whereby the agi

Various
The best of all 22 issues of this classic Leeds, UK DIY zine squeezed into 500 pages.

Various
Stories from the Gateshead Music Collective 1980-88 by those who were there. As a social history we had something truly groundbreaking going on up here and it's about time that story was told.

Len Tilburger and Chris P. Kale
This pamphlet examines the frequent overlap between punk culture and animal rights activism/vegan consumption habits.

Sheena P. Rocker & Rudolf Ramon
This pamphlet examines the distinct, yet overlapping, political approaches of Class War and CrimethInc. They are compared and contrasted, and in doing so, pervasive assumptions about the relationship between pu

Juanita Morsque-Watts
This zine lays out the connections between anarchism and squatting (and also legally rented ‘social centres’), before moving on to look at how these relationships play out in the context of Poland.

Alastair Gordon
Crass Reflections is a revised and extended version of Gordon’s Throwing the Punk Rock Baby Out with the Bath Water: Crass and Punk Rock a Critical Appraisal, originally published in 1996.

Martin Popoff
THE STORIES BEHIND EVERY STUDIO TRACK FROM THE ONLY BAND THAT MATTERS.

Hugh Hodges
This book collects five hundred interesting songs that addressed one alarming feature of Thatcher’s Britain or another.

Editors: Daniel Lukes & Stanimir Panayotov • Designer: Jaci Raia
Black Metal Rainbows is an anthology of radical, queer, and leftist writings and artworks that uncover black metal as a genre of openness and inclusivity.

Editors: Liam Warfield, Walter Crasshole, and Yony Leyser
The very first comprehensive overview of the movement that defied both the music underground and the LGBT mainstream community—queercore.

Gabriel Kuhn
The highly anticipated follow up to the critically acclaimed Sober Living for the Revolution continues the reconnaissance of straight edge culture and how it overlaps with radical politics.

Editor: John Mink
A collection of the voices of activist educators from around the world who engage inside and outside the classroom from pre-kindergarten to university and emphasize teaching radical practice from the field.

Mat Callahan
The Explosion of Deferred Dreams offers a critical re-examination of the interwoven political and musical happenings in San Francisco in the Sixties.

Michelle Cruz Gonzales
This memoir details Spitboy's travels while chronicling their successes and failures, and for Gonzales, discovering her own identity along the way.

George Hurchalla
The product of decades of work and multiple self-published editions, Going Underground, is the most comprehensive look yet at America’s nationwide underground punk scene.

Penny Rimbaud
The Last of the Hippies is a fiery anarchist polemic centered on the story of his friend, Phil Russell (aka Wally Hope), who was murdered by the State while incarcerated in a mental institution.

Randal Doane
Stealing represents a distinctive take on the history of punk, for no other book gives proper attention to the forces of free-form radio, long-form rock journalism, or Clash bootleg recordings.

Dave Laing
This book argues that a significant political achievement of punk was to expose the operations of power in the British entertainment industry as they were thrown into confusion by the sound and the fury of musicians and fans.

Alex Ogg
A celebratory—if not uncritical—examination of a group who would become mired in controversy while playing a role in transforming punk into something genuinely threatening and enormously funny.